New Book Prologue: Part 3

 

Vimy Ridge – Bing Wallpaper Download

I put on my tunic. White shirt and green tie. Grey flannel pants. Black Oxfords. I have my medals fastened to my tunic. Slightly askew but on purpose I may add because I have always wanted to stick it to the strict regimentation and uniformity of the Army. But they cannot hurt me now.

My medals. Ah, these medal gongs. The British War Medal and the Victory Medal, and a few other odds and sods from a grateful nation—be it Canada, Britain, and even France. I was a member in good standing, I might add, of the proud and true Canadian Expeditionary Force. Distinctly Canadian in structure, but not in command. We came under the authority and control of Great Britain, as our Canadian constitution held us under British rule for matters of foreign affairs. So, when Britain declared war on the Hun in 1914, we in Canada were automatically at war with Germany. Same for Australia, New Zealand, India, and other nations that fall under the British Commonwealth of Nations. That was a sore point for me. Yes, Canada was a young and sovereign nation, Alberta even younger and prouder, patriotic to the core—but the British bulldog still had control of our foreign affairs back in the day. To King and Country. God Save the King—and all of that of which I had mixed feelings. For me, it will always be The Maple Leaf Forever. The rallying cry of our boys. The Red Ensign, or Green for us land pounders.

“Da dah dah dah, da dada dah…” whistling now in a low tone:

The Maple Leaf
Our Emblem Dear,
The Maple Leaf Forever.
God save our King and heaven bless,
The Maple Leaf Forever.

A great martial tune. It provided the perfect cadence for a march past. I could never understand the significance of the Maple Leaf though, as this was not native to the Canadian West. Certainly not Alberta. It was more emblematic of the old Upper, Lower, and Eastern Canadian provinces—the original provinces of Canada of 1867. It was a great tune, nonetheless. It held us together in a litany of pride and patriotism for our country. It brought a tear to the eye whenever it was played.

“C’mon, Dad. We must go. There is a bus for us to take us out to the site.”

“Coming, sweetie.”

“Hey, did ya know that Robespierre was born and raised in Arras Charlotte?

“No, I did not.” She responded, quizzically.

“And the entire Arras plain is chalky. A grey/white chalky texture. Like the white cliffs of Dover. Everywhere, including the ridge. Did ya know that, Charlotte?”

“No, I did not Dad.” Now come on. We must meet the bus outside of the lobby.”

‘The Sappers loved it.’ I thought to myself.

The memorial was only about six kilometers from Arras. You could almost see its two large pilons sitting on a flat, symmetrical base and standing like guards over the surrounding landscape. Even from our distance just outside of Arras, it looked majestic. Blindingly white, its mass of stone and marble stood high on a ridge above the Douai plains to the east and the countryside of the area to the west, known as the Pays d’Artois. On our short journey to the site, I could see rolling hills, woods, and picturesque villages—most of which are being restored after the carnage and destruction of the so-called “War to End All Wars.” As I sat there on our bus, looking out over the farmer’s fields, I could not discern the potential or the beauty of the countryside as it looks today, but only the death and destruction, horror, and hell of yesterday. That was—or is—my reality. My subconscious mind could only interpret this picturesque landscape, as it is viewed in the here and now, to the grey hues and chromatic tones of death, dismemberment, horror, and hell. Whenever we passed a farmer’s ditch, I could only see craters. A farmer’s drainage ditch fell to me as an endless trench. No color, just the dark tones of eternal rest in…DEATH.

“Are you okay, Dad?” My daughter Charlotte touched my arm as she asked me in a hushed voice.

“I smiled at her reassuringly.” I am fine sweetie. Just lost in thought of the years gone by.”

Our bus was full of men just like me, lost in their own thoughts—veterans of these fields of blood. I wonder what memories are racing through their minds.

Looking out across these fields and rolling hills to the bright white memorial that was now ahead of us, I had to ask: ‘How on earth did I survive when so many of my countrymen, fellow soldiers like me, did not?’

 Survivor’s guilt, perhaps?

To me, this was a mystery of my life—one that only God has the answer to.

It was deathly quiet on our bus. We disembarked on a grassy plain that was a short walking distance to the memorial. Finally, after such a long journey, here I am again at VIMY RIDGE!”


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www.johnmorrisonauthor.com

New Book Prologue Part 2

3 days in Arras - learn more about the battles of World War I

I can also see narrow avenues or streets that exit and enter the square at its corners, like rivers entering or feeding a small lake. Amazing. The Grand Place of Arras is like an interaction of time, space, and place. To me this whole scene has a synergy to it. A beautiful synergy to some folk as everything falls into place. No matter the significance or insignificance of the place or the people, the Grand Place, as they call it, is the heartbeat of this city. It is here that you will find your government offices, your cobbler, fishmonger, boulangerie, patisserie, cafes, and even a cloth factory. Typically, the weekly market takes place at this location every Friday. Is it synergistic? It is—a beautiful synergy, like nature itself, where everything has its place and functionality by grand design.

And while it may seem beautiful to most, for me the whole scene is boringly beautiful.

But it wasn’t always this way.

No, it was not. And given the sad state of this place when I was last here twenty-two years ago, I cannot believe how much it has changed over a brief period. It seems like only yesterday that I was walking among the ruins of this place. It was a dreadful, terrible domicile of death. Arras is a dichotomy to me in that while the scene before me now is amazing—peaceful, restive, and reflective—I did everything in my power to shield my consciousness from the terror and horror that this place represents. Up until this point in time, Arras, and its vicinity to the plains and the hills and the outlying farms—did not exist.

“Dad…dad…DAD!”

Hmmm? Hmmm? I turned away from the window toward the sound of a familiar voice. Ah yes, my daughter. My beautiful daughter Charlotte. She has come to fetch me, no doubt. Just in time to pull me out of my funk.

I smiled at her, knowingly and lovingly.

“It is that time, sweetie?”

“Yes, dad. We must go. The dedication ceremony is scheduled to start in two hours. They want us there early.”

Of course they do, I thought. To form up, no doubt. The Army never changes its stripe. Early, early, early. Just in case. Hurry up, hurry up, lads. Hurry up and wait. That is the Army’s credo. To hurry up and wait. For what? To die?

I chuckled to myself.

“What’s so funny?” my daughter asked.

“Nothing sweetie. Nothing really.”

“It is going to be hot today dad. You will not need much. An umbrella perhaps, although they do not call for rain today.”

‘They? Who are they?’ I thought. ‘Ah yes, The Army brass. That is who they is.’

“I will bring a brollie sweetie. It gets stifling hot and humid around here at this time of year. You never can tell when the sky decides to fall in its thunderous fury, just like an Alberta summer blast.


More Al Stewart. For all you retired Navy types: Old Admirals

A musical metaphor for getting old and irrelevant!

Check out my books at the links at the top of the page. Good reads and would make great Christmas gifts. You would be helping out an old retired Royal Canadian Navy veteran.

www.johnmorrisonauthor.com

Also the Caminoman

Cheers.

New Book In The Works

I have started to write another book. Have not nailed down the title yet. Just finished the prologue. Here is an excerpt:

Arras, nord pas de calais, france Banque de photographies et d’images à haute résolution - Alamy

 

I cannot believe I am here. Yet here I am, standing here, safe, and secure in my own skin, looking out from the window and comfort of my room at the Grand Place Hotel in Arras, France. I am looking out and down and across to the wide, picturesque Cobblestone Square below. I shake my head in disbelief and awe as it looks so peaceful to me: quiet, primitive, and functionally beautiful in this early morning light on this clear, cloudless midsummer’s day.

 

As I look to my left, then to my right, and then straight ahead, I am amazed at how everything falls into place here. The buildings are neat and tidy: nothing like home, that’s for sure. I would hazard a guess that the buildings are of a European, Flemish-like design, common in these parts of France. Earth tones such as brown, rusty red, and muted orange have been introduced to the facades by the tradesmen to add variety and reduce the uniform gray appearance. The buildings share a uniform style, featuring rounded corners, cornices, and high-apex crowns. They rise to a stark contrast against the blue sky with a uniformity that is extremely impressive to me. Rising in this unvarying fashion from a foundation that includes continuous arches forming a long ground-level arcade, the buildings clearly serve a purpose. Obviously, this arcade acts as a transition from the business of each of the buildings to the open square. I would think it was by design. And considering the condition this place used to be in, it is likely based on old architectural plans or blueprints of the square. It offers shade from the hot July sun or shelter from frequent summer storms in this region. Protection for the common working-class folk of the city, as well as the professional class—or bourgeoisie, as they call those folk here.

 

One after the other, these buildings stand. Their distinct architectural lines—clean and functional on all sides—are broken by the ornate and impressive-looking Hotel de Ville,[1] with its grand baroque façade and impressive bell tower. I am amazed at the intricate stonework here. The stone masons of the day, who have restored these buildings from complete ruin, are true artists in my mind. Intricate carvings and chiseling that bring the stone to life. These craftsmen are not content to just throw them up as fast as possible, like we would do at home. No, no, no, as I shake my head in disbelief. All the windows, doors, and portals; the cornices, crowns, and gables have been constructed with acute care and precision, as if they were restoring a painting by Michelangelo. This is very impressive to me.

 

Yet all the facades are similar in style and placement on every one of these buildings, except the City Hall. To me, it seems as if this building—the Hotel de Ville, or Mairie, as they call it—emits a civil authority and forms the very core of the Grand Place of Arras. In some respects, at least in my way of thinking, its structure acts as a template for the adjoining buildings to take their shape and cue for their pattern and lines, cornices, and buttresses, all the while remaining true but subordinate to the design and functionality of the imposing City Hall. It is as if the Hotel de Ville resembles a stone “Queen Bee,” controlling the dictate from which the design of the other buildings takes shape. Side by side, they expand from the core of the Hotel de Ville to form all sides of the square—or the hive. They are identical but subordinate edifices that are inanimate, very narrow, and tall, and connected at their sides. I have heard, or have read somewhere, that by design they all share the same character and are constructed in an elaborate brick-and-mortar style. I would not know about that, but to me, as they stand there, as each entity makes up the whole, they resemble soldiers on parade. Or like sentinels who are protecting their “Queen.” At all costs.

‘Queen? Bee? C’mon, Kilian. Give your head a shake.’

[1] City Hall


I have rediscovered Al Stewart. He had a number of songs out in the late 70s. His songs tell a story and are highly descriptive in nature. This one: “Year of the Cat” came out in 1976. To me it is the perfect song: great lyrics, piano, acoustic guitar, strings, electric guitar and a haunting sax. Hope you like it.

I would love to receive some comments from you all.

SJ…Out.